Nicely done. By Zugakousaku.
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It it still raining as he trudges back to the garden bed.
How like a movie, he thinks. He’d always assumed that writers put those sorts of clichés into films because they had no original ideas, or were trying to distract from holes in the story. But maybe they weren’t just tired tropes. Maybe it does always rain at times like these.
But no one would watch this movie. He sets his jaw and resumes digging.
The mud is going everywhere. Water seeps into his boots. He feels the wet splatters of dirt on his jeans, and pictures a scowl on her face for his muddy footprints on the carpet in the back room. But she doesn’t care anymore.
This damn rain. Everything is heavier in the rain...
He starts imagining an alternate Tuesday, where the clouds simply remained grey and sullen, instead of bursting into tears.
No. Focus. Hurry up. This is the Tuesday he has. And there’s no time to daydream; the rain is harder now. The soggy walls of the trench are slumping into the rainwater pooling at the bottom. He needs to hurry, and he needs to remember the measurements. He keeps digging.
She’d be insulted if he got the measurements wrong. He laughs out loud at the absurdity of the thought.
The job is finished. As he plants the spade in the dirt, and walks back towards the house, he vaguely recalls a line he read in a book once. Something about honest men not needing a good memory.
That would be nice, he thinks.
He glances back at the hole he has dug. If he’s calculated right, her body will fit in there perfectly.
— ‘The Futurists’ - Joel Cogger“We are such futurists, the two of us
Nobody tempts us with the past
Or puts the present in our pathBut oh, what have we done
Summer ends before Spring’s begunAnd oh, what to do
With the time we’ll kill and days we’ll lose.”
Again, pretty rough/basic. I am so glad to be working with an actual producer from here on in, cause my GarageBand skills are negligible.
But this song is called ‘Love & Loss’. It’s dedicated to America, and everybody in it…
— Joel CoggerWaves, waves, wash away the pages of my songbook,
I write too many songs about you, anywayWind, wind, blow away the echo of my melodies
I only need the memories to hold toLet’s only keep the memories to hold to
Upcoming event for Manifest. I really like this one, I’m happy with how the design turned out.
He slumps against the keys. The dissonant clash would wake him, except that he is utterly spent.
His tired mind can’t even be bothered conjuring up a backdrop for his dream. He only knows that he is dreaming, and there is just inky black space. Not a very good dream, then.
Not that she ever needs a backdrop. She never has asetting, not really. She stands apart from her surroundings like she inhabits a different space. She walks towards him, and the inky blackness is forgot.
The way she moves – sauntering, not stepping – and her scent, and the colour of her dress are all wrong. He knows that she never really looks like this. And when she smiles her sad smile at him, with eyebrows raised in bemusement and a far-off look in her eyes, he still imagines her lips to be pinker than they are.
She steps nearer conspirationally, and whispers to him. And though her lips brush against his ear, he hears the words echoed from an immeasurable distance.
“Stop trying to write me.”
He wakes up with a terrible headache, and tries a different chord.
She’d never heard of him before. He said that he was getting “kind of big” on the music scene, and and that she’d probably know his stuff if she heard it.
She nodded politely that she probably would, and smiled at him the way she smiled at waiters who brought her food. She hated to pretend.
He reminded her of a cat she used to have when she was little. She remembered it trying to curl up and sleep on her lap, and the feel of its arching backbone as she shoved it away. They would repeat this little game until the cat gave up. But once in a while she would give in, just to keep things interesting. Funny how she couldn’t remember its name.
She couldn’t remember his name either. He was still talking to her, his hands waving wildly as he spoke, painting pictures only he could see. He was so involved in his own words that she needn’t have wasted her encouraging nods and murmurs.
He looked as though he practiced this story in front of the mirror. How many people had he told it to, she wondered.
Justin? Was it Justin? Or Jerome? Something with a J. He was looking intently at her now. With a start she realised he had asked her a question.
She tried a ‘no,’ which must have been close enough; he looked confused for a second, but took a breath and continued. She felt herself drifting away again. It was exhausting to lie, or pretend she was something she wasn’t. Like ‘interested,’ for example.
“Rufus!” she blurted out suddenly. The cat had been called Rufus. She hadn’t had it for very long. It had died during a heat wave one summer when she was 11.
“What?” he asked, his hands frozen mid-wave.
She didn’t bother to explain. She had remembered the cat’s name, and she smiled to herself as she walked over to the bar for a third coffee.
Two weeks later, his song came on the radio, and she never even knew.

Sorry, I keep putting up these crappy-quality recordings. So distorted. I just had to make a voice not of it, so I didn’t forget how it goes. It’s a little ditty I wrote for my 11-week-old niece Olivia. It’s called “Livi’s Song.”
“Geez, Joel, it’s not even your own kid - easy on the sap.” I know. But honestly, you wouldn’t be able to help yourself either, if you’d met her.
Enjoy.

So this is called ‘All the Lights’, and I wrote it for my sister Sarah, who went overseas. But it’s also for anyone out there who’s missing home.
I have no idea what I’m doing with recording on my MacBook, so apologies for the quality of the recording/my vocals. But my MIDI interface makes my keyboard sound SWEET, so that’s a welcome change from the out-of-tune Yamaha!
Thanks for listening!
This song is dedicated to Sarah.